New player? Sign Up Here
Level 8: 5802 points
Alltime Score: 20862 points
Last Logged In: August 15th, 2017
BADGE: Senator BADGE: INTERREX BADGE: Journey To The End Of The Night Organizer TEAM: Societal Laboratorium TEAM: The Disorganised Guerilla War On Boredom and Normality TEAM: El Lay Zero TEAM: Group Creation Public Badge TEAM: Team Shplank TEAM: The Ezra Buckley Foundation TEAM: SFØ Société Photographique TEAM: SCIENCE! TEAM: SFØ Podcast TEAM: The Ultimate Collaboration Team TEAM: Synaesthetics TEAM: LØVE TEAM: Level Zerø TEAM: Public Library Zero TEAM: SF0 Skypeness! TEAM: INFØ TEAM: AustinZero TEAM: BRCØ TEAM: The Sutro Tower Health and Safety Task Force Justice TEAM: Whimsy TEAM: The Cold War Reenactment Society TEAM: Robots Are Taking Over! TEAM: Team MØXIE! TEAM: Bike TEAM: The Bureau of Introductory Affairs TEAM: SSF0R (Sphores) TEAM: SFØ Academy BART Psychogeographical Association Rank 8: Psychogeographer EquivalenZ Rank 3: Protocologist The University of Aesthematics Rank 7: Professor Humanitarian Crisis Rank 1: Peacekeeper Biome Rank 3: Field Researcher Chrononautic Exxon Rank 2: Futurist Society For Nihilistic Intent And Disruptive Efforts Rank 6: Deconstroyer


30 + 145 points

The Deep End by Lincøln

May 21st, 2008 7:00 PM / Location: 34.090416,-118.3080

INSTRUCTIONS: Perform an advanced skill in any area, despite not yet having the experience to perform basic skills in that same area.

You know how sometimes you spend a lot of time planning and working and toiling over a task? Then sometimes a task just happens because you're out there living and doing things and you think, "hey, I could totally do ____ task right here under these conditions!" Well, that later thing happened to me the other day.

I was hired this last week to operate a steady-cam for a movie shoot.

I have never touched a steady-cam or operated any movie camera outside of the video function on my still camera.

I got hired to do this job because a friend of mine (who I don't see regularly) who I knew from doing theater with many years ago knew that my brother was a motion control camera technician and that I worked for my brother on occasion to help him out with the MoCo. As close as I get to a real cameraWhat my friend didn't realize is that my brother doesn't actually operate the camera (although he is probably qualified to do so), he sets up the track and levels it and adjusts and maintains the calibration on the motors on the camera rig. What I get hired to do usually is to set up or strike the rig, which usually means lifting very heavy track on or off of a truck. Sometimes I'm hired on actual shoot days to make sure all of the cables run smoothly along the length of the track on particularly long or fast camera moves.

My experience with film cameras on film sets is lifting and guiding. The most I get out of a day experience-wise are marks on my hands like this:Ouch.

This experience however in no way qualifies me to operate any camera for any shoot.

Yet my friend hired me based on his mistaken assumption. I did not correct him. Because the job paid.
And really, how hard could it be?

Well, it was very hard actually.

On one level there was the fact that I didn't know what I was doing, so when the DP asked me if I was "all the way open" I had no idea what he was talking about and would turn the camera right and left looking at it. I'm sure he was talking about exposure, but I didn't know how to adjust that (or he might not have been talking about exposure, who knows?). So I would usually just say "I'm not sure... hang on..." and then he'd come over and check, and fiddle around and then leave. But just because I was ignorant, doesn't mean I am stupid. I watched what he did, and the buttons he pushed to get into the menus he used and so on and so forth and figured out how to do what he did the next time he asked for the same thing. So paying attention was very helpful. I managed to bluff my way through the whole three days of filming this way. I figured out where the focus was, how to use it, when to use autofocus, how to set the monitor for overscan, how to change the F-stop and exposure and all of that good technical shit I didn't know but learned by doing.Clearly in the Deep End
But what was really hard was the physical demands of the job. My back and thighs and wrist and arms and neck were very upset with me. Because my job was steady-cam operator, I had to be very steady. And the rig that we had was technically a steady-cam rig, but it was made for very fast moves. If we were running down a hill for example, this would be the perfect rig for that. But all of the moves we wanted were slow, steady fluid shots. So to get those I had to very slowly shift my weight around my body. Most of the stress being on my thighs. A lot being in my back and arms as I was holding the heavy camera out away from my body. But I muscled through each day, kept getting the shots. The job was made all the more difficult because the steady-cam was used in every shot of the shoot. Literally. Most days were ten hour days. And obviously we weren't shooting for that whole time, but we shot a lot of steady-cam those days. And every second above zero was more than I'm used to, so I got worked (anybody want to come down to El Lay and give a tired tasker a massage?). Guh.

Yes that's Elvin!Yes that's Holtz!But the shoot was rather fun. I got to meet Holtz from Angel.

And Elvin from The Cosby Show.

So yay.

I don't know if I learned to swim after jumping in the deep end, but I did manage to learn to tread water.
These are very very expensive cameras.

+ larger

Clearly in the Deep End
These are very very expensive cameras.
This is kind of a POP
Yes that's Holtz!
Yes that's Elvin!
Our make-up artist asleep between takes
As close as I get to a real camera
Setting up the Pit Bull
The Pit Bull in the ark
The Image G Bulldog I

29 vote(s)

Favorite of:



11 comment(s)

(no subject)
posted by teucer on May 21st, 2008 9:03 PM

Vote for refusing to admit your lack of qualifications.

(no subject)
posted by Jellybean of Thark on May 21st, 2008 9:33 PM

Next time, just pretend you're in a Kronis and Alger show. It seems to require a lot of the same moves.

(no subject)
posted by anna one on May 21st, 2008 9:50 PM

You are every producers worst nightmare... unless of course, your tape was good.

How's the footage?

(no subject)
posted by Lincøln on May 21st, 2008 10:56 PM

Footage looks great. They kept me on steady-cam all three days.
After the first day the editor told me my footage looks awesome. He'd downloaded all of the dailies and watched most of it that first night. He was very impressed.
So I guess I did OK?

(no subject)
posted by GYØ Ben on May 22nd, 2008 12:10 AM


(no subject)
posted by rongo rongo on May 22nd, 2008 11:52 AM

Great accomplishment! Sounds like you not only learned to swim but possibly discovered a personal talent.

(no subject)
posted by Optical Dave on May 22nd, 2008 2:24 PM

And met Keith Szarabajka. Nice.

But seriously, I've been waiting for someone to do this one for ages. Good job.

(no subject) +3
posted by help im a bear on May 23rd, 2008 1:41 PM

you know, lincoln, you've done a lot of cool shit for tasks, but this may be the most impressed by you i've ever been.

(no subject)
posted by salad fingers on May 29th, 2008 6:14 PM

mmmm. i wonder.... mr lincoln.... would you taste like sunshine dust?

mhmhmmhmh. sunshine dust.

(no subject)
posted by Luai Lashire on July 12th, 2008 3:14 PM

Vote for HARDCORE tasking!
And for your footage apparently being excellent. You must have natural talent!

posted by Samantha on July 6th, 2009 10:20 PM

aw man, that is so cool. I have always wanted to do that!