

Qualia Feast by Pip Estrelle
July 14th, 2008 8:55 AM
(This is your captain speaking; before we begin our flight, please open a new browser window in which to listen to the sound file attached. I wish I could do this more smoothly, but...uh...I really can't. Bear with me, please.)
Sounds, especially music, make pictures in my head.
I don’t know whether this is true synaesthesia, or just a sort of daydreaming, or something between the two. It’s a completely involuntary effect, although I can usually choose to focus on it or tune it out, as with most sensory phenomena—that makes me think it could be synaesthesia. On the other hand, I don’t see images and colors float before my eyes or cover my surroundings. They only exist in my mind, although sometimes very vividly, like a dream, or the way the story unfolds in your thoughts, a mental movie, when you’re reading a book.*
Either way, I picture the notes of a song as a little like drops of water. The moment a note is played or sung is like the moment a raindrop hits the surface of a pond, and like a burst of color, too. Ripples radiate outwards from the point where the note hits my imaginary pond, growing larger and fainter and paler, distorting other ripples as their paths cross. Guitars are particularly rainy-sounding. Sometimes, though, parts of a song can be more like clouds, or spirals, or darts of light racing towards a point. All colors, of course. Every color in the Crayola 64 pack, even the ones like berry and chartreuse and burnt sienna, and then some. White noise actually is white, if you’re curious. (Although if you subscribe to the “Pip-has-an-overactive-imagination” theory, rather than the competing “Pip-has-synaesthesia” theory, my mental image might well have been affected by the name.)
I love music; it should come as no surprise. I love to watch the unique pattern of a song unfold. I love how it is wild and seemingly chaotic (makes my heart beat faster) yet rigidly structured. With a really good song—or maybe I should say a song I really like, since the music that moves me runs a wide gamut that doesn’t pay particular attention to the boundaries of what’s normally considered good taste—I feel like my body is being filled with light and sound and I feel elated, like everything in the world is beautiful and logical and vibrant and I have to move, have to move, even if it’s just to tap my fingers to match the rhythm that’s pushing them to twitch. I have trouble understanding how anyone could not love music, or at least like it. It arouses so much sensation in me, I can’t really believe that it just leaves some people cold and unmoved—but it evidently does, and I’ve met people who say they don’t enjoy or understand the appeal of music. I sometimes wonder what they’re hearing, as it’s obviously not the same as what I’m hearing, but in the end I can never know what goes on in other people’s brains. I can look at scans and guess and make conjectures and ask them questions, but any information I receive will be secondhand, diluted. I’m curious about these things, but I can’t truly understand, and that is part of being human, I suppose.
This drawing is an approximation of what I think and feel when I listen to the Decemberists’ cover of Joanna Newsom’s “Bridges and Balloons”. It’s one of those everything-is-perfect songs, and is capable of completely obliterating even my worst mood, at least for the three minutes or so it lasts. And I will play it over and over again until everyone else in hearing distance is thoroughly sick of it (as I did while working on the drawing, which took a lot longer than three minutes to finish). I love the guitar strumming, and the echoes it makes, and the ripples, and Colin Meloy’s voice, which I think is sort of flat and crackly here, like static, in a good way, and the play of sound, syllables, words for their rhyme and scansion, words for their meaning. (Lateen sails! Yellow, but also the thought of ships, wind, starched cloth, the smell of salt in your nose, crisp and stinging.)
And I wanted to share that with you, in my limited, secondhand way.
* But sometimes, strangely, I do hallucinate songs—songs I know, being played outside of my head, like they’re on the radio or the CD player, except they aren’t. They tend to be extremely vivid, sounding exactly like the song does when I’m hearing it for real (or only slightly faint, as though someone is playing the song one room over). I only know they’re illusions because I know I’m not playing any music when I hear them, and because nobody else around me ever perceives them. They come and go without any cause, effect, or pattern that I can determine, can last any length of time from a few seconds to several minutes, and for the most part don’t interfere with my normal existence. At worst, they’re a bit distracting.
Despite having these auditory hallucinations, I’m pretty sure I’m sane. At least sane-ish. I mean, it’s not like I think there are tiny demons in my ears telling me to assassinate the Pope, or alien microchips implanted in my brain that allow me to eavesdrop on CIA communications. I’m not psychotic or delusional. I hope.
7 vote(s)

Waldo Cheerio
5
Rainy
5
Augustus deCorbeau
5
susy derkins
5
Shades of Gray
5
Hilarious Bee
5
Luai Lashire
Favorite of:
Terms
(none yet)6 comment(s)
I'm sorry, I couldn't read your praxis, I was too busy crying at the beauty of Colin Meloy singing "Bridges and Balloons", a song which already has the ability to make me cry even when sung by Joanna. But the incredible-ness of my favorite band playing my favorite song from my other favorite artist, was just too much for me. It was like one of those things you idly day-dream about suddenly coming true and being EVEN BETTER than it was in your head.
OK, I'll go back and read now.
I thought you might not have heard that cover, and I knew you'd really love it if you did. That was part of my motive in choosing it, actually. :)
Yeah, it is synaesthesia even if it doesn't appear to be obstructing your vision or anything. The most elaborate description I've found so far is at http://www.mixsig.net/about/types.php , which is primarily a forum, but has lots of info pages too.
I have pretty much the same type you do.
Interestingly, parts of your painting match what I see for this song, too. The original is almost entirely sky blue, white, lavender, and the colors between those. But colin Meloy's voice is very brown, and everything the decemberists do has a touch of that. Also, guitar tends to be shades of tan or reddish-brown or gold for me. So it's like a mix of the two. Still no red, not much orange.... a touch of green. A bit like your painting, but not quite.
That's the first time I've ever had that close to the same view of a song as someone else. Ian has music-color syn, too, but he sees almost the opposite colors I do- anything I hear as blue sounds red to him, etc.
Do you define songs as being swirly, sparkly, foggy, etc? I sometimes describe music that way and other people who aren't synaesthetic get very confused.
I remember once, on a bus, I was talking about it to someone, and he insisted on giving me his iPod and demanding that I describe what I saw. He couldn't get over it, it seemed so weird to him, he'd never heard of it before.
And as for the name of white noise influencing what you see, it might have. All brass instruments make brass or gold colored sounds to me, flute is usually silver, and string instruments tend towards brown. I don't see how that *couldn't* be related to the way those instruments look.
Anyway, voted for the song + painting!
Do you define songs as being swirly, sparkly, foggy, etc?
Yes. I didn't think it was so unusual, though. Music reviewers say stuff like that a lot.
Yellow, but also the thought of ships, wind, starched cloth...
The song distracted me from reading your write-up and it finished it before I had read about the images it elicited in your mind: I loved the fact that I didn ´t "see" any of those things, because that maybe means that your red is not my red, and "in the end I can never know what goes on in other people’s brains" and that is tingly and polyhedrically wondrous.
Imagination to synesthesia as a continuum, then, I like it. :)