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Yenoh Honey
Level 1: 14 points
Alltime Score: 475 points
Last Logged In: November 2nd, 2009
30 + 10 points

Seeing Beyond Sight Photo Challenge by Yenoh Honey

February 17th, 2007 12:47 AM

INSTRUCTIONS: Seeing Beyond Sight has partnered with SFZero to challenge you to see the world differently - with more than your eyes.

Welcome new users: SFZero is an ongoing game in which you can choose to participate (or not) after you do the Seeing Beyond Sight Challenge.

Click here for new user registration.

1. Blindfold yourself.
(wear shades or tape your eyes shut)

2. Go out in public and make your way in the world.
(go 1 block, 1 hour or 1 roll of film; go with a friend or alone; make up your own process)

3. Photograph things you notice. And, just notice.
(What do you notice differently about objects, people, actions, interactions?)

4. Embrace the whole experience as much as the picture taking.
(Engage. Have a conversation with people you encounter. Take it all in.)

5. Share your story.
(For each photograph write a caption about your experience - a few lines or several paragraphs if you want.)

6. Challenge some friends to do it.
(email them the link: sf0.org/seeingbeyondsight)

Please don't post all the pictures from your shoot, but chose 1 to 3 that are the best images or are most telling of your experience. Caption the photos describing something about your experience - that is as important as the image itself. Longer stories are welcomed and may be added to www.seeingbeyondsight.org.

If you depend on your eyes to get around, then it is hard not to use them. Although you can tell us about how difficult it is to be blind, focus more on what you noticed about the world as you embarked on this journey.

This experience isn’t about blindness – it is about seeing, noticing and paying attention with more than your eyes.

This challenge was inspired by SEEING BEYOND SIGHT: PHOTOGRAPHY BY BLIND TEENAGERS, a new book published by Chronicle Books.

PART ONE:

First of all, I can't lie, I did this all wrong. Well, whatever that means... it's wrong in a really right way. Basically, I did not "go out in public" and make my way in the world. It's midnight in Oakland and I am a small white girl wondering around alone with a blindfold on. So I made my way around my new house I just moved into. I have clutter everywhere, am still unpacking boxes. I also heard of this task by word of mouth just a couple hours ago and didn't even read the directions yet.

Anyway, I chose to make my way around my bedroom. I have this corner of my bedroom where every weird little item I couldn't find or perhaps chose not to find a place for has landed. If you asked me what was there I might have said "a bunch of cheap jewelry and a lot of other crap." I attempted to take pictures all around my bedroom but got stuck in this one corner. The tactile sensations were too overwhelming to let go. I had this plan that I was going to create a sculpture from all this junk then take pictures from all possible angles. I decided to take a couple "before" images, just to show the full process of creation... demolition then construction. So I took a few shots (I had not seen or touched this area yet). Then I felt around and started clearing some stuff off my dresser, one by one.

I decided to keep a small Mexican bead bowl, a mass of change and a bag of colored glass stones. I tore open the bag and poured the stones out. I felt a little piece of paper and moved that out of the way. I took a bunch of pictures like this and then added some other pieces to the sculpture and took more pictures. After a few minutes I felt I had exhausted my options so I took my mask off. I was ashamed to see that I had somehow overlooked a rather large tag on my pretty installation I had made. It was funny how when I couldn't see or feel the paper I was happy with my piece I created and now I was hugely disappointed. All the glass stones coins were so smooth and fun to play with and the bowl was lined with neat little beads. I was intrigued by circular parallels of the coins and stones in and around the beads in the bowl. It was alarming to me to feel a sense of perfection with my hands and then in the same exact scenario I felt failure with my eyes. This ugly tag I should have thrown in the trash now cluttered my beautifully imagined dotted landscape. For my own sense of selfish gratification I moved the tag and took one last picture. I'm not sure I was as much satisfied with this image as I was relieved to know my two realities now matched.

What's interesting to me though is that my two favorite pictures ended up being the "before" shots. Completely untainted and built hastily and without thought over a period of about two weeks. It felt raw and to the point.

PART TWO:

It's the next morning and I am eager to explore the outside world now. I wondered around with my cat Poon near my house. First thing I did was kick her because she is so lazy she never moves out of your way. Anyway I took about 100 pictures and almost all of them came out overexposed. It was really hard doing this by myself. I wished I had someone to tell me what I was pointing at. I came out with a couple decent photos.

- smaller

Yenoh can't see.jpg

Yenoh can't see.jpg




all the little things.jpg

all the little things.jpg

Before shot. Jewelry box, coffee cup, hair bands, punch card from Bi-Rite Creamery in SF, hair roller, coins. bead bowl, little tags and papers, Mancala game, mini tarot deck, black bag of glass beads and white camera string all sitting on top of my dresser.


mistake.jpg

mistake.jpg

How did I not feel that tag? My imagination is more observant than my sense of touch I guess.


pole.jpg

pole.jpg

I took a photo of every pole I felt.


me and poon.jpg

me and poon.jpg

Finally she went back inside and I stopped kicking her. I had no idea she was in there when I took this photo and I was walking super slow so I wouldn't run into her anymore.



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