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rongo rongo
Daemon
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Last Logged In: September 24th, 2025
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retired
45 + 55 points

Early Eno Revival by rongo rongo

June 19th, 2007 5:45 AM

INSTRUCTIONS: Publicly manifest one of the original Oblique Strategies 1975 edition, in order to express your chosen group's area(s) of concern.

This task has built in value through scarcity: Players must not repeat strategies manifested by other players' proofs. This task will be retired upon exhaustion of all Strategies from the original first edition.

Repetition is a form of change. I had a lot of trouble remembering this line. I kept thinking "Repetition is a means of change." This is over a week late for P00n's event, mostly because it just took longer to prepare than I'd thought it would.

I started by drawing a repeating line of roses along 39 meters of cash register receipt paper. I wanted to show that by doing the same thing many times, an entirely different result would be produced. After taking a look at the finished strip of paper, I decided that it didn't seem multi-dimensional enough. (OK, so for some reason, I thought that a one dimensional line of drawing might have a little more depth.)

Inspired by YellowBear's DIY audiobook, I copied the first two sections of T.S. Eliot's poem, "The Wasteland", onto the strip of paper among the roses. I won't pretend to get all of the allusions and references in this poem, but I like it a lot anyways. One part that sticks in my mind is the syllable, "Da," that the thunder speaks. The syllable is repeated three times, but each time it stands for a different concept---charity, compassion, and (self)-control. (My alternative, more cynical interpretation of the phrase is that you can end up controlling others if you first give to them and sympathize with them.) The poem also ends with a repetition, "shantih, shantih, shantih." This repetition is a sort of ritual ending, and Eliot translates it as "the peace which passeth understanding."

I deployed the strip of repetition onto a railing along a bridge near the Alewife subway stop. As I was installing it, the rumbling of passing trucks made the entire bridge shake, reminding me of thunder. I watched people walking along the bridge for a while. Mostly, they didn't even glance at the installation, but a few stopped and read some of it. I checked back 12 and 24 hours later, and most of the strip is still up, although a 1 ft section is missing. The paper has already yellowed from being out in the sun, but I'm happy to have injected some poetry onto an otherwise boring bridge.

I check back at 36 and 48 hours and repaired some wind damage. On the third day, we had a brief storm that washed off most of the marker, so I cleaned up all the pieces. Life, art, all ephemeral!

- smaller

ribbon.jpg

ribbon.jpg

39 meters of roses and poetry


drawing tools.jpg

drawing tools.jpg

I ran a couple of markers dry on this project.


starting.jpg

starting.jpg

April is the cruelest month, breeding Lilacs out of the dead land, mixing Memory and desire, stirring Dull roots with spring rain.


looking forward.jpg

looking forward.jpg

What are the roots that clutch, what branches grow Out of this stony rubbish? Son of man, You cannot say, or guess, for you know only A heap of broken images, where the sun beats, And the dead tree gives no shelter, the cricket no relief, And the dry stone no sound of water.


red rock.jpg

red rock.jpg

Only There is shadow under this red rock, (Come in under the shadow of this red rock), And I will show you something different from either Your shadow at morning striding behind you Or your shadow at evening rising to meet you; I will show you fear in a handful of dust.


railroad tracks.jpg

railroad tracks.jpg

'Speak to me. Why do you never speak. Speak. 'What are you thinking of? What thinking? What? 'I never know what you are thinking. Think.'


looking back.jpg

looking back.jpg

'Do 'You know nothing? Do you see nothing? Do you remember 'Nothing?'


ending.jpg

ending.jpg

HURRY UP PLEASE IT'S TIME HURRY UP PLEASE IT'S TIME Goonight Bill. Goonight Lou. Goonight May. Goonight. Ta ta. Goonight. Goonight. Good night, ladies, good night, sweet ladies, good night, good night.


jogger.jpg

jogger.jpg

Hmm, what's this stuff?


walking.jpg

walking.jpg

I'm not too interested in whatever that is.


passerby.jpg

passerby.jpg

I don't remember this being here before.


after the rain.jpg

after the rain.jpg

On the third day, a storm tore up the paper and detached some sections.


washed out.jpg

washed out.jpg

Much of the ink was washed off the paper.


no littering.jpg

no littering.jpg

Alas, the roses have all faded.



11 vote(s)



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5 comment(s)

(no subject)
posted by YellowBear on June 19th, 2007 11:32 PM

Beautiful. I can't believe those people walking by didn't stop to take notice. I think if i saw this in my neighborhood i might just go back and forth over and over, standing in front of it for hours

better late than never
posted by Ohrlyeh Totenkinder on June 20th, 2007 12:55 AM

lovely

stopping to look +1
posted by rongo rongo on June 20th, 2007 5:13 AM

I did notice that if I was standing on the bridge and obviously looking at the poem, other people would also stop and look. Maybe looking at stuff, like yawning, is just contagious.

i loves t.s., too....
posted by Fonne Tayne on December 3rd, 2007 1:07 AM

sadly, i missed this whole process (somehow...) in the moment. lovely work.

votes for thunder! and for old-school aesthetes!


...upon consideration, i also thoroughly enjoy the fact that someone has at long last found a decent use for the awful, ultimate-capitalist-commodity that is receipt paper. i tried to write a personal note on such paper earlier today and the look of it left me such a sour taste that i crumpled it and resolved to send a proper card instead.

(no subject)
posted by rongo rongo on December 3rd, 2007 6:24 AM

Receipt paper is also good for making oddly shaped posters and advertisements to span an entire bulletin board area.