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Ben Yamiin
Level 7: 2646 points
Alltime Score: 7645 points
Last Logged In: May 23rd, 2023
BADGE: Journey To The End Of The Night TEAM: Team Shplank TEAM: San Francisco Zero TEAM: Bastion of Backgammon TEAM: SCIENCE! TEAM: 0UT TEAM: Synaesthetics TEAM: HUMANITIES, ART and LANGUAGE! TEAM: LØVE TEAM: Public Library Zero TEAM: SF0 Skypeness! TEAM: Silly Hats Only TEAM: SFØ Foreign Legion TEAM: League of Human Hybrids BART Psychogeographical Association Rank 6: Lettrist EquivalenZ Rank 1: User The University of Aesthematics Rank 2: Dealer Humanitarian Crisis Rank 3: The Honorable Chrononautic Exxon Rank 1: Clockwatcher Society For Nihilistic Intent And Disruptive Efforts Rank 2: Trickster
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15 + 197 points

Keep Marching On by Ben Yamiin

March 29th, 2009 1:47 PM

INSTRUCTIONS: Destroy a piece of your past.

A part of XWØ (Ouidah Ø)



warning, emotionally intense tasking ahead...

Route 11.JPG

Ouidah has one of the most emotionally intense places I've ever visited - the Route des Esclaves, the Route of the Slaves, which runs 4 kilometers from the Portuguese fort, past the Tree of Forgetfulness, to the Door of No Return. Every slave that left Benin's shore (and there were many - the Dahomey Empire was one of the largest supplier of slaves to the New World) walked the Route des Esclaves.

I walked the Route des Esclaves, and I circled the Tree of Forgetfulness, and I walked through the Door of No Return.

The Tree of Forgetfulness is the closest thing we have in the real world to the River Styx - circling it was designed to remove the memories of your past, of your family, of your people, of your language, of your individual identity. It may seem to be just a tree, but imagine being told that by circling this tree, and by passing through this gate, you will never see anyone from your past ever again. Ever. Again.

In the interest of recontextualization, I wanted to use the Route and the Tree and the Door's power for Good, rather than all of the Evil that had stained it for so many years.

I would walk the Route des Esclaves, with broken sandals and no shirt, and write down all the things I wanted to forget in my life, and I would circle the Tree of Forgetfulness, and I would pass through the Door of No Return. Each time I would write a thing I would want to forget, I would take a picture of my surroundings on the Route to aid the aspects of time and linearity.

I started at the Portuguese Fort.

Fort

And I began.

Route 1

"When he told me he didn't want me around anymore."

Route 2

"When she told me she didn't love me."

Route 3

"When I told her I loved her when I didn't."

Route 4

"When I tried to do it."

Route 5

"When he made me feel stupid."

Route 6

"When I almost cried when he said it."

Route 7

"When I should have told her."

Route 8

"When she never told me."

Route 9

"When I thought she was the only one who ever would."

Route 10

"When I looked."

Route 11

This was the center of the Route. I think this statue is an excellent icon for the entire journey, in the fact that I would have remember all of these things first in order to forget them, and that by putting them here, my act of destruction allows them to continue on.

Route 12

"When she never said sorry."

Route 13

"When I never apologized."

Route 14

"When I took her things without asking."

Route 15

"When I wrote that note but never gave it to her."

Route 16

"When they called me that."

Route 17

"When I paid so much for it."

Route 18

"When I told her I would call her but I didn't."

Route 19

"When they destroyed it."

Route 20

"When they were so cruel."

Route 21

"When I didn't feel anything."

Route 22

"When she lied and lied and lied."

Route 23

"What she did to me."

Route 24

"That I never told her before she died."

I wrote all of these down on a note, double-sided:

Top side of the note
Bottom side of the note

I then returned to the Tree of Forgetfulness:

The statue at the Tree of Forgetfulness
The engraving at the Tree of Forgetfulness

I circled the tree:

Turning around the tree
Turning around the tree
Turning around the tree

and I buried the note under it.

Digging the hole
Burying the note

I walked back to the Door of No Return

Porte Sign

And I entered.

Through the Door of No Return

I walked down to the sand

Letting the water wash my feet

and I let the waves wash my feet.

Rinse away the past

+ larger

Route 11.JPG
Fort
Route 1
Route 2
Route 3
Route 4
Route 5
Route 6
Route 7
Route 8
Route 9
Route 10
Route 11
Route 12
Route 13
Route 14
Route 15
Route 16
Route 16 Closeup
Route 17
Route 18
Route 19
Route 20
Route 21
Route 22
Route 23
Route 24
Top side of the note
Bottom side of the note
The statue at the Tree of Forgetfulness
The engraving at the Tree of Forgetfulness
Turning around the tree
Turning around the tree
Turning around the tree
Digging the hole
Burying the note
Porte Sign
Through the Door of No Return
Letting the water wash my feet
Rinse away the past

42 vote(s)


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Terms

xw, whywait

11 comment(s)

would say more but lack the context to say anything that you havent +2
posted by Peter Garnett on March 29th, 2009 1:54 PM

> warning, emotionally intense tasking ahead...
no kidding.

A remembrance of the past, in order to forget, befitting a worldly man.
posted by Waldo Cheerio on March 30th, 2009 6:39 AM

"Ne j'aimais tentent la vente de cette maison" - French
I do not liked the sale of this house. - Terrible English Translation

I'm terrible at translating sentences with possessives of tenses, but I think this means the person who wrote the graffitti was condemning what was once sold here.

My first impulse is to try to fill in the blanks of your story, but it feels very wrong leaping to conclusions about you of all people. Then again, there is something universal to emotions, so maybe it is beautiful that saying so little it conjures so much in our minds about what you've been through. We love you though BwaY.

(no subject)
posted by Ben Yamiin on March 30th, 2009 8:41 AM

Merci beaucoup, Waldo.

and as far as the graffiti, it's possible he meant he didn't want to sell the house. There's a scam in west Africa where someone sells someone else a house they don't own. Quite common in Nigeria, I hear. There are signs up there that say "This house is not for sale. Beware 419" (referring to the famous criminal code in Nigerian law for fraud).

(no subject)
posted by ananas on March 30th, 2009 6:35 PM

I think it's "jamais" like "never" which fits with the do-not-sell scam theory.
And, wow. I love the images after each sentence, their emptiness intensifies each line.

(no subject)
posted by Ben Yamiin on March 31st, 2009 1:15 PM

Thanks a lot, Ananas. You're very sweet. Especially in West Africa. Seriously, they're frighteningly sweet here - much more so than in the States.

(no subject)
posted by rongo rongo on April 2nd, 2009 12:37 PM

I like the potent combination of world history and personal history.

(no subject) +3
posted by Dax Tran-Caffee on April 4th, 2009 11:31 AM

Sometimes I lose sight of how important SFØ can be as a structure for making incredible works of art.

Thanks for letting us live this with you.

(no subject)
posted by Ben Yamiin on April 7th, 2009 8:36 AM

Dax, that means a lot.


And how is it possible that I miss you a lot when I've only met you for a few moments in my life?

(no subject)
posted by Secret Agent on November 7th, 2009 6:53 PM

That's just how it goes sometimes, innit.

(no subject) +1
posted by rehsamsevoL Lovesmasher on July 20th, 2010 1:43 PM

I actually find this quite offensive. To compare your romantic pain with the torture and death of slaves is horrifying.

(no subject)
posted by MsGoblinPants Extraordinaire on July 26th, 2010 6:46 AM

I have to agree. This task completion really bothered me. To seek to "recontextualize" a memorial to all the death and pain wrought by the slave trade seems insensitive to me.

I see that a lot of people I really respect have liked this completion, so I really have to wonder--what am I missing?